Fojill luthiers at work in the Nashville-area workshop

The people behind the logo

A small team of luthiers and setup techs — no overseas assembly, no mystery wiring.

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Finished instruments

Fojill guitars from the bench.

Fojill Light Relic LP electric guitar

Light Relic LP

Bench-built relic LP showcasing hand-worn finish work and roasted maple craftsmanship.

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Fojill FSG-60 BLM electric guitar

FSG-60 BLM

Finished SG-style build with Canadian maple neck, real rosewood board, and rounded stainless frets.

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Fojill FSTR-60 Heavy Relic electric guitar

FSTR-60 Heavy Relic

Elm-body heavy relic Strat demonstrating Fojill fret dressing and HSS wiring standards.

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Fojill FSG-60 BKM electric guitar in black

FSG-60 BKM

Black-finish SG with bone nut, alnico humbuckers, and the same neck stability as our shop builds.

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A shop, not a logo

Fojill Guitar is a dozen craftspeople in a Nashville-area workshop — luthiers, finishers, setup techs, and one person who refuses to let wiring leave crooked. No parent corporation, no overseas assembly line with our logo slapped on the headstock.

Marcus Hale started the shop after a decade of repair work showed how many players owned great wood ruined by rushed frets and mystery electronics. The name stuck when a typo on a shipping label made a customer laugh and reorder.

Where the shop lives

The workshop sits outside Nashville — close enough to courier vintage parts, far enough to avoid rent that forces rushed builds. Humidity-controlled neck storage and a finish booth with its own air cycle are non-negotiable investments we made early.

No contract factory stamps our headstock overseas. When supply chain shocks hit, we slowed color options instead of quietly substituting neck blanks from an unnamed third party.

How a build moves

Orders enter a weekly production board. Necks rough-cut on Monday, bodies voiced by midweek, assembly and setup when humidity readings stabilize. Custom colors queue separately so we do not rush clear coats.

Neck and fret discipline

Necks are carved by hand with templates as guides, not CNC-only output. Fretwire is leveled under tension, crowned, and polished until a nickel slides without grab. That work is why players mail us photos from tour with still-true intonation.

Finish room standards

Spray booths filter dust you cannot see. Sunburst models get masked in natural light so transitions read correctly outdoors, not just under fluorescent shop tubes. We reject runs that many factories would pass.

Pickup winding partners

Singles and sets are wound to our specs by a regional partner who still counts turns by ear on reference rigs. We pot and test every batch before they hit the assembly bench. Consistency beats hype when you are matching a bridge pickup to a rhythm track.

Quality control before cases close

Each guitar gets a final play-through through a DI and a small amp, plus a mechanical once-over for loose screws and sharp fret ends. Serial numbers link to builder initials and setup measurements.

Training and apprentices

New bench hires start on kit QC and fret dressing before they touch custom colors. That sounds conservative, but it keeps the error rate low when a touring player needs a backup in two weeks.

Finishers learn sunburst masking on scrap bodies until transitions pass daylight review. Pickup testing rotates through the team so no single ear becomes a bottleneck. Cross-training means your guitar does not wait on one vacation schedule.

Materials sourcing

Alder and ash lots are inspected for weight and knot placement. Roasted maple comes from suppliers who document kiln curves — we reject necks that smell overly baked or show brittle grain. Hardware orders batch-tested for plating pits that chew strings.

Why transparency matters

Players ask who makes their guitar because marketing stories outran reality in this industry. We put builder initials on the setup card and keep photos of the bench on the reviews page context notes. You should know whose hands shaped your neck.

Visit in spirit

We do not run a retail showroom, but email info@fojillguitar.com with questions — you will reach someone who actually sanded wood that week. That is who makes Fojill guitars.

Community and repairs

We keep a repair slot open each month for guitars we built — not a revenue center, a relationship. Refret quotes are honest about turnaround because we will not rush a tour guitar into a wet finish window.

Local teachers send students to our starter kits when they want curriculum that includes wiring, not just chord charts. That feedback loop keeps instructions updated when we change pot values or switch layouts.

Walk through the shop on pickup day and you will see initials on every case tag — not a mystery warehouse pull. That culture is why we cap monthly builds instead of scaling into a name-only brand.

Write us with your use case — wedding band, worship stage, home recording — and we will point to the build that matches load-in weight, neck carve, and pickup output without upselling hardware you will never touch.

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Marcus Hale has shaped necks and written about boutique electrics for eighteen years. Reviews and guides here remain editorial and independent.